Ok here are some nearly N_k_d pictures from my shoot with Elizabeth
Sunday, July 29, 2012
Monday, July 9, 2012
With a Red Box rental being only a couple of bucks, sometimes you take a chance even when you know better. Sometimes you get a pleasant surprise like Exit Humanity, other times you get Grizzly Flats. I guess I’m a bit of a sucker for rampaging bear movies. Maybe it was because I remember the lurid commercials for Grizzly as a child, or maybe just because I secretly always hoped Ben would one day take the head off that pompous Dan Haggerty. Well, there was no Grizzly, in Grizzly Flats,, rampaging or not, and barely a movie.
The plot, if you can all it that, is that a brilliant scientist runs off to the middle of the wilderness to build a sort of dimensional resonator. His trial runs apparently allow shadow people to cross over into our dimension. The shadow people harass him and his wife, as well as the local meth cooking inbreeds, and the resident trailer park hooker. The wife finds a gourd baby, the scientist starts tweaking, the hooker gets scarred, the sheriff finally gets to see some boob, the inbreeds get killed, and the shadow men do shadow shit. If only the movie was as short as that synopsis, I would only have wasted 2 bucks not an hour and a half.
So where to begin? This is really bad even for a low budget. First the scientist Sylvane, or something it sounded a lot like So Vain (I’d accuse the director of being clever, but the movie itself makes that unlikely), a brilliant physicist who leaves a university to go to the wilderness to work on his invention. His invention, a dimensional resonator which apparently is constructed from metal plates, copper tubing and a few circuit boards, looked a lot like Robbie the Robot if he were converted into a moonshine still.
Well So Vain likes to yell, like almost every line in the film. If he isn’t yelling he’s talking in an “I’m better than you” sarcastic tone. This makes it impossible to like him, care for him or take him seriously. This is a bad thing for the main character, especially the protagonist in the film. Maybe if he had been slightly less annoying and hysterical, he would have done a decent job, but I doubt it. As it is I don’t know who the actor who played him is, and don’t care enough to look him up.
His wife was cute, but her acting skills were limited to, well honestly she had no skills, at least none on display. She couldn’t have convinced me she had nice tits, if she had taken her shirt off, her acting was that bad. The gourd baby was a better actor than his mom or dad.
The star power is provided by Judd Nelson, who plays the world’s most pathetic pornographer and red neck sheriff. He is the most believable actor in the film, but it had to be force of habit, a very weak force at that. He mostly just wanders around talking in a monotone, and trying to get the local hooker naked on tape. The fact that the local law, can’t get the local prostitute naked (until she is horribly scarred, more later) points to the intelligence of this whole script. Come on now.
The local hooker, who Nelson calls “Daddy”? Or maybe it’s Danni? Who the fuck knows, and does anyone really care for that matter. She is played by Danielle de Luca, and Danielle is the only good thing about the film, it’s also probably her most embarrassing. She is raped and horribly scarred by the shadow men. By horribly scarred I mean she has had a New York strip steak taped to her face. She doesn’t really get to show off her acting skills, but she does show her breasts, much to the audience, and Judd Nelson’s relief.
The inbred rednecks are probably the most stupidly stereotypical rednecks on film since the Clampet family. They cook meth, are toothless, have speech impediments and dress like the Winter’s brothers. Every time they opened their mouth I wanted to kill a city slicker.
As for the story, well there was no story. No coherent story anyway. The scientist’s master plan to defeat the shadow men is to smoke meth with the rednecks and then shoot their weapons wildly and randomly into the air, as shadow men fly all around them. Not surprisingly but stupidly all the rednecks end up dead. The scientist, his brilliant plan failing returns home and cooks his disturbed wife’s gourd baby and feed it to her. That will snap her back to reality. Thankfully he still had a bullet left in the gun so the movie ended shortly after that.
The direction couldn’t have been much more than “yell louder” “laugh manically” or “shoot randomly”. I’ve seen better dialogue in a bukakke video. For the actor playing Pastor Ron, retire immediately, go into stand up comedy, and immediately retire from that. It’s like he was trying his best to be funny and he wasn’t. The only time I almost laughed was in his final scene, and even that was badly botched
Really, it was that bad, worse actually, I’m just not watching it again to make the review more thorough. There is absolutely no real reason to watch this film. Danielle de Luca is gorgeous, but see Naked Prey if you haven’t already. She’s totally nude and it’s a much better film. Or see Necrosis, where she doesn’t get naked, but it’s a good little film. Judd Nelson fans, stay the hell away, you’ll just feel sorry for him and try and send him money. Just remember him as he was. There is the novelty of seeing a relative of the master Edgar Allen Poe as one of the rednecks, but he has other films.
I gave this a one on IMDB, but I don’t have to be that kind on my blog. On a scale of 1-10, I give it a -2. If this film were lying on a beach, House of the Dead would kick sand in it’s face.
Tuesday, July 3, 2012
Zombies are the rage right now, and as usually happen, once something gets “hot” the quality goes in the crapper. That’s especially true with horror archetypes, and zombies are one of the worst affected. In fact there are more bad zombie flicks, than there are mediocre to good ones. So it was with a healthy dose of skepticism and resignation that I decided to rent Exit Humanity.
On the plus side it featured both Bill Moseley and Dee Wallace, two horror icons that never phone it in. It was also set in the American West (actually in Tennessee, but no nit picking) shortly after the Civil War, and hell, I’m a big fan of Red Dead Redemption Undead Nightmare.
Please check out my new Cult Film blog
Please check out my new Cult Film blog
Set in 1875, Exit Humanity is the story of Edward Young played by Mark Gibson. After encountering the undead during the final days of the Civil War, he returns home to his wife and son. He returns from hunting one day to find his son missing and his wife one of the undead. He kills her and goes in search of his son. During his search he comes across Confederate General Williams played by Moseley who is looking for a cure to the outbreak, and to rebuild Tennessee to its Confederate glory. Ultimately he is forced to choose between joining Williams or making his own way in a world overrun by the dead.
It got off to a rough start. I’m not a big fan of narration, and the early parts of the film are heavily narrated by Brian Cox. Normally I’m a fan of a film being told by the actors through their acting, not voice over or exposition. The first fifteen minutes of the film there is virtually no dialogue except the narration.
At this point I wanted to watch the film through the protagonist’s, played by Mark Gibson, acting. I wanted to discover the film through his facial expressions and body language, not a narration that seemed to never end. Strange thing though, when the narration ended, I missed it. The narration is used in spots throughout the film and it’s like an old friend come back to visit.
After getting used to the narration, I thoroughly enjoyed this film. Mark Gibson, as Edward Young carries the film excellently. He tells you his story, with and without narration, by the pain in his eyes, his tears and body language. The supporting cast never gets in his way. Bill Mosley who is usually a hyper kinetic maelstrom is probably more subdued than I have ever seen him in a role. That doesn’t make him any less menacing or horrifying. In fact it makes him much more real, much more believably evil. Stephen McHattie, another horror legend, gives an insane but also subdued performance. Honestly I barely recognized Dee Wallace even though I knew she was in the cast. The supporting cast did their job perfectly, they supported, allowing Gibson to shine and carry the film.
Exit Humanity is in fact a quiet film, as far as zombie films go. True there is gunfire, screams and gnashing of teeth, but for the most part it is a quiet film. A film driven by the main character on his quest, first to find his son, then to find a reason to live in a world of the dead.
His quest for his son ends in the way such a real life quest would be bound to end. No happy ending, no miracle, and the film makers play it out early, not dragging it out, but not pulling any punches or making it easy on the viewer. After this quest the film could have easily devolved into a kill em all, find a cure generic zombie flick, but instead the story continues to develop. It seems like it was written almost as a series of short episodes, instead of a movie, and even has animated chapter markers. Each chapter marks the protagonist’s downfall, and resurrection, as he exits humanity to find his own humanity.
Exit Humanity uses innovative filming, shifting from live action to animation for certain scenes, and even using time lapse for at least one scene. The animation at first seemed a bit gimmicky; you just aren’t expecting it in a serious film. The animation is used sparingly and mostly to illustrate (if you will) parts of the story outside the normal continuity.
The time lapse scene likewise hits you with no warning but it works perfectly. It heightens the tension of the scene and allows the film to progress without an overly long scene of the character running through the woods. It’s just an innovative way to portray an almost cliched scene.
The Canadian scenery is beautiful and breath taking. You can forget you are watching a horror movie, and believe you are watching a modern western. The score compliments the film work. Usually I barely pay attention to the score unless it sucks up the movie but the music here swept me up. I loved it
If I could change one thing about this Exit Humanity, I would give Moseley more screen time, and possibly flesh out his character a bit more. I saw the potential for a great film villain. He was a villain, who as evil as he was, had a cause, a cause that, while not inherently evil, had been warped by him and his beliefs. The final confrontation between Moseley and Gibson was beautiful, quick and final. I just wish we had more time with Moseley’s General Williams before the showdown.
Some people might find it too slow, and not enough zombie action, but personally I will take a slower less hectic film. A film that moves at a natural pace not the rapid cut MTV style horror movie. How many of those style horror movies are actually good? I have also heard people complain about the lack of zombie hoards in Exit Humanity. When I was watching it I wondered where all the undead were coming from. This was the 1800s in the Tennessee wilds. It’s not the big city of Dawn of the Dead or The Walking Dead. Besides I would rather see an intelligent film than just two hours of head shots, wouldn’t you?
If you haven’t guessed by now, I really loved this film. It was touch and go for the first maybe 10-15 minutes, but it grew on me rapidly. If you like zombie movies, but prefer your movies to have a little soul, I think you will like Exit Humanity. So skip all the other low budget trash, and pick up Exit Humanity, this little Canadian film is worth the price of admission.